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Bob Waldmire art featured at Harley-Davidson Museum exhibit July 10, 2014

Posted by Ron Warnick in Art, Events, Motorcycles, People, Photographs, Vehicles.
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The artwork of Bob Waldmire, the famed and beloved Route 66 artist who died of cancer in 2009, is featured in a current show at the Harley-Davidson Museum in Milwaukee.

“The American Road,” which began June 14, “takes visitors on a journey highlighting the evolution of the quintessential American road trip from its early beginnings in 1930 to what it has come to represent in pop culture today,” according to a news release. It features photographs, film footage, slide shows and travel memorabilia.

Waldmire’s artwork is prominently featured Gallery 3 of the show, which displays a 1970 Chevrolet Chevelle Malibu that was custom-painted by him. I’m pretty sure that’s vehicle is owned by Dave Jostes of Rochester, Illinois, who has showed up with the car to several Waldmire-related events.

Waldmire’s spiral notebooks and sketches — including some of the earliest of his career — also will be displayed.

Waldmire’s legendary 1972 Volkswagen minibus still can be seen at the Illinois Route 66 Hall of Fame and Museum in Pontiac, along with a schoolbus he converted into living quarters for a time. And his intricate artwork can be bought here and at souvenir shops on the Mother Road. Waldmire also served as the indirect inspiration to the Fillmore VW minibus character in the Disney-Pixar “Cars” films.

The photography of Jeff Kunkle, co-founder of Vintage Roadside, also is featured in the gallery.

“The American Road” will run at the museum until Sept. 1.

(Images courtesy of Harley-Davidson Museum; hat tip to Ace Jackalope)

Photographer wants to document America’s neon signs June 25, 2014

Posted by Ron Warnick in Photographs, Road trips, Signs.
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San Diego photographer Stefanie Poteet is traveling all over the United States the next four months so she can artistically document vintage neon signs, including on Route 66.

Here’s the video that comes with her Kickstarter fundraiser:

Poteet writes about her quest:

These signs and the places they were built for are an integral part of our history. Mom and pop motels, one of a kind diners and family owned businesses built this nation. They gave us reasons to explore Route 66, the Lincoln Highway, the Tamiami Trail.

These signs are beautiful and unique. They are art and hard work and hours of labor. These signs matter, and they are quickly disappearing from our landscape.

I want to encourage people to see, appreciate and preserve these pieces of Americana. I want to document as many signs as possible before they are lost from our roadsides and our memories. I want to spend 112 days chasing neon so future generations can stand in front of places like the Blue Swallow Motel and stare in awe.

Poteet said she fell in love with neon sign after seeing the Supai Motel sign on Route 66 in Seligman, Arizona.

Poteet hopes to raise $10,000 by July 22 to help cover some of her expenses. You can follow her on Facebook, Instagram, Twitter and her blog.

Skateboarding photographer takes a trip on Route 66 June 1, 2014

Posted by Ron Warnick in Photographs, Road trips.
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Matt Alberts, a skateboarder with a 19th-century camera, takes a trip on Route 66 with a few pals and a 1973 Airstream trailer.

They find abandoned swimming pools — including one I recognize as being at Two Guns, Arizona — and drainage ditches to do their work. They also produced this short film (warning: the skateboarders use adult language you might expect from skateboarders):

The Lifers Project Episode #1 | The Route 66 Collection from The Lifers Project on Vimeo.

More about Alberts’ retro photography can be found here.

More about The Lifers Project can be found at its Tumblr page.

The lost photos of Joplin May 25, 2014

Posted by Ron Warnick in Photographs, Towns, Weather.
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May 22 marked the third anniversary of the powerful tornado that struck Joplin, Missouri, and changed that Route 66 city forever.

I recommend you read this story from Al-Jazeera America about the Lost Photos of Joplin project, which collected more than 40,000 photographs scattered by the storm.

There are lithographs of ancestors from the 1800s, black-and-white photos from World War II, family vacation memories, baby photos, school pictures, big-haired prom shots from the 1980s, Polaroids from Christmas morning, developed film from school plays — there are even a few that made some of the women of the church blush, Beeler said with a laugh.

The rest of Joplin’s photos have since been moved from First Baptist in Carthage to the Joplin Museum Complex, where they will be permanently stored. Beeler considers what his group has done a success, even though tens of thousands of photos remain unclaimed. He knows some people may not even be aware of the project, and that it may be too painful for some to come collect photos of their lives from before the tornado.

He knows some of the pictures are of people who died in the storm, and will never be claimed.

Thad Beeler, who organized the photo-collection effort with the church and many other volunteers, hopes their work can also be done in other disaster-stricken towns across the country, including the recently tornado-hit towns of Quapaw, Oklahoma, and Baxter Springs, Kansas.

The tornado’s destruction still beggars belief. With 161 dead, it was the deadliest tornado in the United States in more than 60 years. It injured more than 1,100, destroyed about 2,000 buildings, and caused nearly $3 billion in damage.

The Al-Jazeera report also collected vivid memories of the disaster:

Chattelier recalled feeling the suction of the storm as her husband lay on top of her, holding on to a support beam. When she opened her eyes, her glasses had been torn from her face. The things she had in her pockets were gone, replaced with debris. They found her daughter’s car at the top of a tree blocks away with massive gashes in it. [...]

In the days following the tornado, stories emerged that illustrated how horrifying the power of the storm had been. Hospital patients had been sucked out of their beds and out of the windows. Entire stores disintegrated while people huddled inside. Some victims could never be identified.

I didn’t get to Joplin for days after the tornado, but followed it closely the night it happened through Twitter and the Internet. I knew it was bad because of one thing in particular: An officer on the police radio mentioned taking someone to “the temporary morgue.”

(Image of one of the many thousands of unclaimed photos from the Joplin tornado)

Photographer will open exhibit in Kirkwood gallery March 30, 2014

Posted by Ron Warnick in Art, Events, Photographs.
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Missouri-based photographer Mark Appling Fisher will open his “Route 66 and Beyond” exhibit at the Ober Anderson Gallery in Kirkwood, Mo., on Friday.

According to a news release from the gallery about his photos:

Among them are hand colored, infrared film images of from unusual sites along the old Route 66, including a pink elephant shot with a homemade pinhole camera, images taken by the unpredictable and quirky, plastic holgas and colorful carnival chalk figurines.

Mark Appling Fisher is a professional fine art photographer from the Midwest. Fisher taught for more than forty years as an elementary school music teacher, a video production instructor and instructional media technologist. He now teaches black and white film photography, as well as alternative processes, toy camera, plastic camera, and pinhole photography. He loves all things film, and has found great satisfaction with digital photography, especially for color work.

Appropriately enough, the gallery is at 101 W. Argonne Drive, which is on a corner of an alignment of Route 66 in Kirkwood (map here).

Fisher recently completed a Kickstarter campaign for his “Turn Left at the Blinking Light” project. This video that came with the campaign shows his talents and interests well:

(Mark Appling Fisher image of the Bel-Air Drive-In sign in Mitchell, Ill., via Kickstarter)

Old-time photo studio opens across from Blue Swallow Motel March 21, 2014

Posted by Ron Warnick in Businesses, Photographs.
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An old-time-style photography studio has opened across the road from the landmark Blue Swallow Motel in Tucumcari, N.M.

The couple that opened those businesses also plan to eventually open a Route 66 wedding chapel in that space.

Here is one of the sets Mother Road Old Time Photos uses:

According to a story in the Tucumcari-based Quay County Sun:

Mother Road Old Time Photos opened its doors on Saturday, offering an opportunity to dress like a 19th Century cowboy or western lady, and pose for an old-time sepia-tone photo, carrying a period weapon of choice in a Wild West setting—the saloon or around the poker table.

The store will also offer holiday merchandise for the Christmas season, according to Rhys Williams, who owns the new shop with his wife Leigh.

Leigh Williams said by email that no firm date has been set for opening the wedding chapel, other than after the photo studio generates enough revenue to help pay for it.

People are welcome to supply their own minister and witnesses and we provide the venue. Once open we will have other add ons available,  such as bouquet,  photographer, motel/dinner packages. [...] The wedding chapel is still in the plan, but not yet ready to open.

Tucumcari would be ideal to set up a wedding chapel for many westbound Route 66 travelers. That’s especially true for same-sex couples from the neighboring states of Colorado, Texas and Oklahoma, where same-sex marriage isn’t yet legal and Tucumcari is the first sizable town in New Mexico along the corridor. New Mexico legalized gay marriage in December.

The point being: Why should Las Vegas have all the fun with elopements?

A great spot for a Route 66 selfie March 15, 2014

Posted by Ron Warnick in Bridges, Photographs.
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Route 66 News reader Mark Nicklawske of Bangor, Maine, wanted to pass along a great spot to shoot a photo of a Route 66 landmark or a self-portrait, aka selfie, with your smartphone.

That landmark is the historic Colorado Street Bridge in Pasadena, Calif., which carries westbound Route 66 travelers to Los Angeles.

I’d always seen terrific photos of the Art Deco bridge taken from close to underneath the span, but never investigated how to get that angle. But Nicklawske, with the help of a friend, figured out how.

He wrote in an email, which I’ve edited slightly:

I’m attaching a picture taken by my cousin Chris Higgins, who lives in Pasadena. Chris took us underneath the 1913 Colorado  Blvd. bridge, one of the most beautiful bridges on the old Route 66. We discovered a fantastic place to photograph the bridge — an exposed sewer pipe and manhole. The spot is located just off North Arroyo Boulevard, which runs under the east end of the bridge. Adventurous photographers should park in a small lot north of the bridge, cross under the bridge and look for the exposed sewer pipe and manhole sticking out from the river bank. Your readers will find it a great perch for a “selfie.”

Here’s a map that will help you get close to that spot:

View Larger Map

I’m sure Scott Piotrowski, who’s an expert on all things about Route 66 in Los Angeles County, knows about the vantage point. But now that I have it, I’m passing it along.

(Image courtesy of Mark Nicklawske)

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